i took my friend to see this and a week later she said it affected her so much that she cried about it for an entire therapy session, which is probably yorgos’s ultimate artistic goal and would mean more to him than any of the major directing awards that he should be earning!

THE FAVOURITE POWER RANKINGS

1. Horatio: The Fastest Duck in the City
2. Nicholas Hoult?
3. Sandy Powell
4. Rachel Weisz
5. the bunny from the end. you'll know the one.
6. Olivia Colman
7. the naked dancing man who looks *way* too much like James Corden
8. Emma Stone
9. taylor swift's neo-nazi boyfriend from Operation Finale

U                                 M
W        H         A         T
T                H               E
A C T U A L F U C K

you cannot become an official member of the LGBTQ community until you silently cry in front of the fireplace while thinking of your clandestine lover

Love it. Another film that I consider one of my faves of the year. Knock-out performances. Olivia, Rachel and Emma are of course fantastic and deserve recognition during awards season but I'm also hoping that Nicholas Hoult is recognized. I loved every minute of his performance.

Tell me you can achieve those beautiful close-ups of faces on digital and you're either lying or ignorant. Needless to say, it should be seen on the big screen.

Arricam LT, Panavision PVintage and Nikon Nikkor Lenses
Arricam ST, Panavision PVintage and Nikon Nikkor Lenses
Panavision Panaflex Millennium XL2, Panavision PVintage and Nikon Nikkor Lenses

Screened at the AMC Sunset 5

R       ᴀ       ᴄ      ʜ      ᴇ      ʟ
W        ᴇ          ɪ         s        ᴢ
P       ʟ       ᴇ      ᴀ       s      ᴇ
T                     ᴏ                  ᴘ
M                                        ᴇ

love these bitchez

Quizás a ratos los diálogos pueden ser algo tediosos, pero Yorgos Lanthimos nos encanta con un película donde sus personajes luchan por sobrevivir, y en ese ejercicio el desarrollo y evolución de sus protagonistas es fantástico. Hace rato que no me generaba tan poca empatía un personaje como el de Olivia Colman, y eso es bueno. La competencia entre Emma Stone y Rachel Weisz claramente se traspasa desde la película a candidaturas de premios, muy bien ese antagonismo entre ambas.

The less you know the better, but it's not a totally outrageously ambitious film, so don't expect third-act-of-mother! style narrative crescendo.

A watertight concept executed in peak Lanthimos form, albeit somewhat restrained for the better.

it's not a gay period piece until someone blackmails someone with letters then burns them while crying.

i love these bitches

This review may contain spoilers. I can handle the truth.

Dykery at its finest!

Surprised by sorrow. I didn’t know Lanthimos could be so sensitive.

10 TIMES OSCAR FUCKING NOMINATED BABEY!!!!!!!!!!