Synopsis
Discover what made her the girl
In Stockholm, Sweden, hacker Lisbeth Salander is hired by Frans Balder, a computer engineer, to retrieve a program that he believes it is too dangerous to exist.
2018 Directed by Fede Álvarez
In Stockholm, Sweden, hacker Lisbeth Salander is hired by Frans Balder, a computer engineer, to retrieve a program that he believes it is too dangerous to exist.
Claire Foy Sverrir Gudnason LaKeith Stanfield Sylvia Hoeks Stephen Merchant Christopher Convery Claes Bang Synnøve Macody Lund Cameron Britton Vicky Krieps Andreja Pejić Mikael Persbrandt Beau Gadsdon Carlotta von Falkenhayn Thomas Wingrich Andreas Tietz Paula Schramm Anja Karmanski Volker Bruch Saskia Rosendahl Pål Sverre Hagen Christian Serritiello Damien Murphy Asuka Tovazzi Daniel Stockhorst Béla Gabor Lenz Maddy Savage Lea Faßbender Tomas Jester Show All…
Roland Winke Julian Slater Nerses Gezalyan Robert Stambler Robin Harlan Hamilton Sterling Sarah Monat Karen Vassar Triest Kevin O’Connell Ryan Collins David Esparza Mandell Winter Ando Johnson Will Digby Caspar Sachsse
The Cantillon Company Columbia Pictures Scott Rudin Productions Pascal Pictures Metro-Goldwyn-Mayer Yellow Bird Regency Enterprises New Regency Pictures Sony Pictures Studio Babelsberg Film Service Babelsberg
The Girl in the Spider's Web: A Dragon Tattoo Story, 밀레니엄: 거미줄에 걸린 소녀, 龙纹身的女孩续集, 蜘蛛网里的女孩, Millennium Quello che non uccide, Момичето в паяжината, Millennium: El que no et mata et fa més fort, Dívka v pavoučí síti, The Girl in the Spider's Web - Det der ikke slår os ihjel, Verschwörung, To Κορίτσι Στον Ιστό Της Αράχνης, Millennium: Lo que no te mata te hace más fuerte, La chica en la telaraña, Se mikä ei tapa, Millénium : Ce qui ne me tue pas, הנערה ברשת העכביש, Što nas ne ubije, Ami nem öl meg, Það sem ekki drepur mann, Millennium - Quello che non uccide, 蜘蛛の巣を払う女, გოგონა ობობას ქსელში, 거미줄에 걸린 소녀, Mergina voratinklyje, Meitene zirnekļa tīklā, Dziewczyna w sieci pająka, Millennium: A Garota na Teia de Aranha, A Rapariga Apanhada na Teia da Aranha, Prizonieră în pânza de păianjen, Девушка, которая застряла в паутине, Dievča v pavúčej sieti, Dekle v pajkovi mreži, Што нас не убије, พยัคฆ์สาวล่ารหัสใยมรณะ, Örümcek Ağındaki Kız, Дівчина у павутинні, Cô Gái Trong Lưới Nhện Ảo, 蜘蛛网中的女孩, 蜘蛛網中的女孩
turns out making a sequel to the first book with the fourth book and getting rid of David Fincher, Rooney Mara, and Daniel Craig wasn't a great idea
i don't envy anyone having to follow David Fincher, but this is almost BOHEMIAN RHAPSODY bad.
eschewing the dread and nuance of the previous films (any of them, really), this iteration is — at best — a low-rent James Bond movie that takes a perilously glib approach to psychosexual trauma. more often, it feels like a nü-metal remake of the already godawful MERCURY RISING. between this and HUNTER KILLER, i think i've gotten over any lingering nostalgia for the '90s.
Alvarez is totally boxed in by Fincher's aesthetic, handcuffed (or sealed in latex) by the severity of his style but also trying to resist it at every turn. Foy… could have been good? maybe? if she were given even the…
I just skimmed through some of the reviews here on Letterboxd and surprised to see how disliked the film is on this site. I actually thought it was a fine addition to the series... much better than the Swedish sequels to the original.
Anyway, I really like Fede Alvarez and will support what he makes in theaters. He knows how to make great looking films with tight set pieces. Pedro Luque's cinematography is gorgeous. It's one of the best shot films of the year. Claire Foy is a fine Lisbeth Salander but I'll always think of Noomi Rapace as Lisbeth.
Watched at Cineplex Odeon Intl. Village, Vancouver
Genius move making Fincher's hushed, almost monastic metadata mystery/fetish film into a crappy action movie cartoon complete with cliched vaguely spectrum-y kid and nuclear launch codes for Chrissakes, with Salander as a watered-down feminist vigilante. This is Europacorp bad. Also am I crazy or shouldn't it be THE GIRL IN THE SPIDERS' WEB?
hey everyone just wanted to remind you all that rooney mara kept the nipple piercing she had for lisbeth in case she ever had to do a sequel
“every day you chose not to save me”
a bold statement: i think this has worth. i’m just as surprised as you might be, but when the initial annoyance wore off, i found myself caught up in what it has to offer. the david fincher version is one of my all time favorite films, so naturally it was really hard to adjust to this at first, but then i realized something: i can separate the two and see this for what it is
it was a weird decision to even go through with making this, the change is overly apparent in every frame and every brick is torn apart and rebuilt into a more standard americanized thriller rather than the…
frequently stylish but the pivot here from fincher's masterful investigation of historical patriarchal power and violence (and its relationship to the analog/digital landscape) to expensively made DTV actioner is just dire. no obsessive urgency, no grotesque grace; they just dropped in some cloak and dagger plotting, some technobabble nuke bullshit, some bond gadgets and a few setpieces and then called it a day. lisbeth hardly registers as a person here, she rides a motorcycle across a barely frozen lake like she's goddamn ethan hunt! justice for rooney.
pitch meeting for this film:
producer: ok so we’re going to make a sequel to David Fincher’s Girl with the Dragon Tattoo
other producer: cool, that film was great
producer: but Fincher isn’t returning to direct it
other producer: ok well we can find another great director
producer: and none of the original cast is returning
other producer: wait what-
producer: and instead of adapting the second book in the series we’re going to do the fourth one
other producer [crying]: please stop
Advice from one professional writer to another, select all + delete >>>> infinite backspace on feature length article
Road To 'Women Talking':
I went into this expecting a massive disappointment and I found a unique and massively underappreciated underdog of a movie. There is no Fincher, no Mara, no Craig. And while Blomkvist character is so in background that could have been erased, this is Lisbeth's odissey.
If you have Claire Foy playing the role and putting every inch of her skin in it, you have me already. But the storyline, while directed with not so much style thought, hides multiple hidden layers (a twisted love story between sisters -probably incestuous and with anger for Camile choosing her father instead of Lisbeth-, Lisbeth facing her own "death" thorough the entire film and "rebirth" at the vaccum climax) that…