Synopsis
Failed architect, engineer and vicious murderer Jack narrates the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life's work as a serial killer for twelve years.
2018 Directed by Lars von Trier
Failed architect, engineer and vicious murderer Jack narrates the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life's work as a serial killer for twelve years.
Matt Dillon Bruno Ganz Uma Thurman Siobhan Fallon Hogan Sofie Gråbøl Riley Keough Jeremy Davies Jack McKenzie Mathias Hjelm Ed Speleers Emil Tholstrup Marijana Janković Carina Skenhede Rocco Day Cohen Day Robert Jezek Osy Ikhile Christian Arnold Yoo Ji-tae Johannes Bah Kuhnke Jerker Fahlström David Bailie Robert G. Slade Vasilije Mujka Jesper Tønnes Glenn Gould Adolf Hitler Idi Amin Benito Mussolini
Marianne Slot Bettina Brokemper Louise Vesth Madeleine Ekman Tine Grew Pfeiffer Jonas Bagger Lizette Jonjic
Zentropa Entertainments Copenhagen Film Fund Slot Machine Film i Väst Zentropa International Sweden Zentropa International France Zentropa International Köln
더 하우스 댓 잭 빌트, Дім, який побудував Джек, 此房是我造, La casa que Jack construyó, Dom, który zbudował Jack, ハウス・ジャック・ビルト:2018, Къщата, която Джак построи, Jack staví dům, Το Σπίτι που Έχτισε ο Τζακ, La casa de Jack, La Casa De Jack, La maison que Jack a construite, הבית שג'ק בנה, A ház, amit Jack épített, La casa di Jack, ハウス・ジャック・ビルト, სახლი, რომელიც ჯეკმა ააშენა, 살인마 잭의 집, Namas, kurį pastatė Džekas, Dom, który Zbudował Jack, A Casa Que Jack Construiu, The House That Jack Built - A Casa de Jack, Casa pe care Jack a construit-o, Дом, который построил Джек, Jack stavia dom, Hiša, ki jo je zgradil Jack, Jack'in Yaptığı Ev, 殺上癮, 傑克蓋的房子
Intense violence and sexual transgression Horror, the undead and monster classics Thrillers and murder mysteries Brutal revenge and graphic violence Gory, gruesome, and slasher horror Gothic and eerie haunting horror Challenging or sexual themes & twists Cannibalism and extreme gory horror Show All…
yeah so uhh... how many more times do we have to see 'a glimpse into lars von triers mind' before we just get him a therapist and move on
in case you haven’t noticed, i’m weird. i’m a weirdo. i don’t fit in. and i don’t want to fit in. have you ever seen me without this stupid red van? that’s weird
another trip through the abattoir of Lars von Trier’s anxieties, this one a damning self-critique of / backhanded apology for the compulsive violence of artistic creation. the ending is a scorcher.
certainly won't win over any new converts, but it's essential catnip for von Trier fans (and forms a fascinating rhyme with NYMPHOMANIAC in many ways, some quite literal).
very sorry to say that I loved this.
Lars Von Trier: Hey man, doesn’t life suuuuck? And doesn’t the life of an artist suuuuck? Aren’t serial killers the same as serious artists? Aren’t their victims, in a sense, a work of art? Hey, aren’t I a serious artist? Isn’t my entire filmography full of violent and disgusting things? Doesn’t Matt Dillon in this movie I directed remind you of me? Doesn’t his appalling crimes in this movie remind you of my movies and how they’re received by audiences? Here, let me insert a superclip of my own movies as I provide pseudo-intellectual bullshit about me and my own works.
Me: Alexa, play Get The Fuck Out by Mariah Carey.
the part where jack and virgil are going through the cave is a metaphor for how far lars von trier is up his own ass
Saw the director's cut last night at the Rio Theatre in Vancouver.
Another masterful entry in the unparalleled canon of one of our greatest filmmakers. I highly recommend taking advantage of the one night only screenings on 11/28 in the States.
Performances are great across the board.
Funniest Von Trier moments since The Idiots.
AMAZING monologues.
Manuel Alberto Claro's digital cinematography is beautiful.
(Arri Alexa Mini)
if one more of you sadistic directors films a kid dismembering a bird im calling the rscpa