Synopsis
Return to the source.
Plagued by strange memories, Neo's life takes an unexpected turn when he finds himself back inside the Matrix.
2021 Directed by Lana Wachowski
Plagued by strange memories, Neo's life takes an unexpected turn when he finds himself back inside the Matrix.
Keanu Reeves Carrie-Anne Moss Yahya Abdul-Mateen II Jessica Henwick Jonathan Groff Neil Patrick Harris Priyanka Chopra Jonas Christina Ricci Jada Pinkett Smith Telma Hopkins Chad Stahelski Lambert Wilson Brian J. Smith Toby Onwumere Max Riemelt Eréndira Ibarra Andrew Lewis Caldwell Joshua Grothe Michael X. Sommers L. Trey Wilson Mumbi Maina Max Mauff Purab Kohli Freema Agyeman Sabrina Strehl Andrew Rothney Cooper Rivers Esther Silex Frank Isom Show All…
Grant Hill Lana Wachowski James McTeigue Henning Molfenter Charlie Woebcken Miki Emmrich Christoph Fisser
Bruce Berman Terry Needham Garrett Grant Michael Salven Jesse Ehrman Karin Wachowski Aimee Allegretti
Stephan O. Gessler Maya Shimoguchi Nanci Noblett Wolfgang Metschan Tarnia Nicol Esther Schreiner Ravi Bansal Richard Bloom Geof Darrow
Lisa Brennan Barbara Munch Louis Visco Serban Rotariu Stefanie Übelhör Jens Gaube Christian Hoobyar Ines Kramer Chris Cortner Celina Hollaender Wilko Drews Mariana Vasconcellos Robin Plöger Claudia Granucci Loren Hoselton Michael Thede Paul Wingert
Pierre Buffin Ankur Mishra Pete Polyakov Moriah Etherington-Sparks Marco Lee Dan Glass Javier Meroño Annabelle Zoellin Owen McGonigle Kazia Roach Tyson Donnelly Balthazar Sahel Aharon Bourland Daniel Hazeltine Jamie Hearing Alexander T.H. Browne
Jonathan Eusebio Mike Möller Eric Brown Doug Coleman Zack Duhame Tim Rigby Debbie Evans Joel Adrian Scott Rogers Brett Praed Dave Ardito Can Aydin Chris Reid Billy Buff Cale Schultz Hannah Spreitzenbarth Cort Rogers Jeff Mosley Raffael Armbruster Felix Audu Gabriel Rios Zachary Rogers Ming Qui Mustafa Beyter
Dane A. Davis Matthias Lempert Lars Ginzel Albert Gasser Markus Stemler Bryan O. Watkins Matthew W. Kielkopf Barry O'Sullivan
Stephan Dupuis Heike Merker Stephen M. Kelley Daniel Parker Flora Moody Marta Camer Jalil Romo Corro Aisha King
骇客帝国4, 骇客任务4, The Matrix 4, Матриця 4, 매트릭스: 리저렉션, Matrix 4, Матрицата: Възкресения, 駭客任務:復活, The Matrix 4 Resurrections, 黑客帝国4:矩阵重启, Mátrix - Feltámadások, 22 世紀殺人網絡 復活次元, Matrix: Ανάσταση, Matrix 4 - Resurrections, Матрица: Воскрешение, Matrikss: Atdzimšana, The Matrix IV: Resurrections, Project Ice Cream
Epic heroes Monsters, aliens, sci-fi and the apocalypse High speed and special ops future, sci-fi, technology, action or technological martial arts, kung fu, choreography, cool or action-packed sci-fi, aliens, space, spaceship or earth earth, sci-fi, space, spaceship or mankind action, explosives, exciting, action-packed or villain Show All…
It’s fitting — maybe even fate — that “Spider-Man: No Way Home” should be the biggest and virtually only movie in the world on the week that “The Matrix Resurrections” is released. Both are mega-budget, meta sequels that feed on our collective familiarity with their respective franchises. One is a poison, the other its antidote.
One is a safe plastic monument to the solipsism of today’s studio cinema; an orgiastic celebration of how studio filmmaking has created a feedback loop so powerful that it’s programmed audiences to reject anything that threatens its perfection (and to clap like seals for anything that reaffirms it, even if that means cheering for the “unexpected” return of heroes and villains they were once eager…
Nothing will ever approach the shock of the new the original gave us, but this is still a quintessential Wachowski huge swing, deeply idiosyncratic and defiant of expectation, cluttered but meticulously constructed and written to theme, and unabashedly dorky. Just like the last two sequels it'll probably be another decade before everyone realizes this is Actually Good.
I never would’ve guessed this was exactly what I wanted from a new Matrix movie in 2021 but wow I guess it is
a love story that feels like it was made by an actual human being! enjoyed this movie a lot
73
There are so many threads at play here. The monopolization of media culture, and how the general public is obsessed with the film you created and yet they don't even understand it. The studio is moving ahead with a reboot, with or without you. Video-game writers cracking jokes and playing ping pong, trying to define and spearhead the art that they grew up on, but didn't make. Or the desire to create something new is first defined by breaking out of tired, repetitious loops, a structure that is put in place so anyone that detaches from the binary is still lost in the labyrinth of code, unable to gain traction and find their way out. "Back to the Matrix!"…
honestly? don’t understand it. enjoyed it a lot, but i do not understand it. i maybe get about 50% of it and i am too dumb for the other half. i’m looking at everyone’s reviews and going “hmm” like i agree but i’m mostly just going “okay, you guys clearly see the matrix and i just see the green digits.”
i only just watched RELOADED and REVOLUTIONS for the first time days before this and with each of them, i found myself being completely lost in the themes, philosophy, and expanded lore but there’s an additional meta-theme to this one that only made sense to me when it was so obvious in the beginning, and then i couldn’t track it…
Among other things, a film about: the enraging state of IP-based filmmaking and the impossibility of an original artist getting a budget for anything other than a sequel, the residual pain & doubt even when you've attained your real self, late capitalism as a manufactured state of endless longing, and the important difference between victory and peace. Will have more thoughts later to let people go in as blind as possible (even if “spoilers” are less relevant here than any recent tentpole), and after I get the chance to see it again to parse its breathtaking glut of ideas and stylistic bravado. It took people at least a decade to catch up to Reloaded and Revolutions. It may take as long to realize what a unicorn we got here in such a dead mass culture space.
did you know that the reason most detransitioners give for doing it isn't that they didn't want to be trans, or it wasn't right for them. it's actually because the people in their lives, the world around them, made it impossible to continue.
will rewatch, more to say after, it's a blessing
"why does this story feel like a memory?"
a hyper-digital, sentimental mess of fiction and reality not only blurring but disintegrating right before your eyes at the prospect of returning to ideas, images and feelings from another time and another world where you were another person. now looking backwards with a newfound formal freedom and seeing how the machine you built has been ingested and exploited and algorithmically reflected back at you. but it's still yours, fundamentally derived from your mind, your heart, your being, which means that the power to destroy it belongs to no one but you. "i remember this, i remember us."
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