Synopsis
Everything that has a beginning has an end.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
2003 Directed by Lilly Wachowski, Lana Wachowski
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
Keanu Reeves Laurence Fishburne Carrie-Anne Moss Hugo Weaving Jada Pinkett Smith Mary Alice Harold Perrineau Monica Bellucci Harry Lennix Lambert Wilson Nona Gaye Anthony Zerbe Tanveer K. Atwal Helmut Bakaitis Kate Beahan Francine Bell Rachel Blackman Henry Blasingame Ian Bliss David Bowers Matt Castelli Collin Chou Essie Davis Dion Horstmans Lachy Hulme Roy Jones Jr. Christopher Kirby Peter Lamb Nathaniel Lees Show All…
Hugh Bateup Jules Cook Catherine Mansill Charlie Revai Michael Turner Damien Drew Karen Murphy Cindi Knapton Geofrey Darrow
Ousaun Elam Glenn Boswell Ray Anthony Chad Stahelski David Leitch Yuen Woo-ping Nash Edgerton Scott McLean Danielle Burgio Brad Martin Mick Roughan Chris Mitchell Danial Donai Darrin Prescott Chris O'Hara Marky Lee Campbell Harry Dakanalis Alex Kuzelicki Min Windle Graham Jahne Warwick Sadler Darko Tuscan Yasca Sinigaglia Gillian Statham Lou Horvath Bernadette Van Gyen Brit Sooby Raelene Chapman Bob Bowles Peter Jeremijenko Aaron Walters Keir Beck Melanie Peyton-Smith
Dane A. Davis Richard Adrian Julia Evershade John Roesch Paul Berolzheimer David E. Campbell Gregg Rudloff John T. Reitz Michael W. Mitchell Alyson Dee Moore Mark Larry Stephanie Flack Michael Edward Johnson Andrew Lackey Mary Jo Lang David Lee David Jobe Scott Morgan
The Matrix 3, The Matrix Revolutions: The IMAX Experience, Matrix 3 - Revolutions, Matrix III Revolutions, Матрица: Революция, The Matrix 3 - Revolutions, 黑客帝国3, Matrix 3, Matrix III - Revolutions, Μάτριξ 3, 매트릭스 3: 레볼루션, Matrix Revolutions, The Matrix III: Revolutions
Epic heroes Monsters, aliens, sci-fi and the apocalypse Epic history and literature future, sci-fi, technology, action or technological martial arts, kung fu, choreography, cool or action-packed earth, sci-fi, space, spaceship or mankind sci-fi, aliens, space, spaceship or earth historical, epic, battle, historic or fought Show All…
god is a black grandma, jesus is but an ambassador while women and black people do all the dirty work, the worst threat humanity has faced is the ever-expanding army of white men in business suits, love and hope are still the most powerful things in the universe. a miracle that this even exists.
“The only way you're getting through this door is over my big dead ass”
they don’t write movies like they used to
downright refreshing to see a planned-for-years third installment in a major studio franchise that's not just a series of buttons on narrative beats or paid-off teases, not just a setup-and-release joybuzzer that's a commercial for itself. the narrative, structural and thematic rhymes -- even down to individual compositions -- with the first film are too numerous to count. plus there's the Battle of Zion, about 35 minutes smack in the center that's certainly among the longest and has to be among the most dazzling sequences of the CGI era. Hugo Weaving's scary evil mastermind laugh forever.
this series taught me to never underestimate the power of black leather, being emo and keanu reeves and my ass feels blessedt
this is the most “final movie of a blockbuster trilogy” any film in the history of cinema has ever been
very moved 💔 I can see why people really didn’t go for this in 2003. luckily I am from the future, and I have a master’s degree.
90
An end to a cycle and the beginning of a new one. A coda that breathlessly, tirelessly fights for a victory, even if it's doomed to repeat once more. Revolutions offers a few ground-rules and then it's all climax, as showy and confident as they come. The seeds of Speed Racer are definitely here, with the grandiose battle compositions and the unabashed arcs of heroism given new life through diversity and fearlessness, and the structure is so radical - essentially a more successful version of The Battle of the Five Armies. The Wachowski sisters are as imaginative and inspiring as the works they construct; beaming with possiblity and ingenuity.
This guy I knew in eighth/ninth grade Paul who used to shout “HADOUKEN” in class said this was the best movie he’d ever seen and then promptly switched schools. I assume it was unrelated but I always sort of believed it was to avoid dealing with the consequences of saying that.
”six hours ago, I was ready to give my life for you. Do you know what has changed in the last six hours?....nothing.”
Cast aside some of the most beautiful, thrilling and electric CGI creations ever put to film. Ignore the unconsciously diverse cast, empowering and representing all genders and races with a naturalist touch impossible to find anywhere else in Hollywood. Disregard the wholly satisfying conclusion, the impeccable storytelling and provocative script. Pay absolutely no heed to the uncanny directorial prowess of the Wachowski siblings; their innate ability to compose, orchestrate and execute every single function of this film with precision and grace. And finally, take no notice of the creative powers at work here, the genuine expansion of…