This review may contain spoilers. I can handle the truth.

booooooooooooo
what a terrible film
booooooooooooo
all style, no substance
booooooooooooo
it's not social commentary;
it's misogyny
booooooooooooo
brb gonna go scream 
at the screen some more
booooooooooooo
god won't forgive this one, Refn
booooooooooooo

(far cry from your previous films, Elle... shit escalated quickly for ya. also, Cliff composed what is probably one of the best scores since the likes of Goblin)

booooooooooooo

Visually pleasing in many ways, but that's about it...

Refn's look at the LA model business plays it rather straight by his standards for quite a while. But this wouldn't be one of his films if it didn't end with weirdness and violence. While Refn plays with expectations, model stereotypes and voyeurism, it's up to the audience to decide what they take away from this. Here, obsession, jealousy and rejection lead to necrophilia and murder. That looks as stylish as you'd expect and is supported by a fitting electro soundtrack. And of course you're sent on your way with a really uneasy feeling in your guts as the end credits roll.

"Beauty isn't everything, it's the only thing."

Nicolas Winding Refn is one of my favorite filmmakers working today. Every film he makes is intriguing in its own unique way. The Neon Demon is just another piece of proof. Beautiful with every shot.

The lighting is top notch with moments that should be hung in an art gallery. The problem this entry suffers is its writing. It is unclear what & where it wants to go most of the time with a lot of big ideas bogging it down. But man does it look & sound gorgeous.

The Neon Demon is a film about a young, aspiring model in Los Angeles and the change she goes through while exposed to the world of fashion. With gorgeous and mesmerizing cinematography underlined with a fantastic soundtrack, Nicolas Winding Refn manages to create a noirish film with a very unique approach and style that is captivating and unsettling at the same time. There is a lot to observe and to think about as every scene is heavy with meaning and imagery. Having said that, it is not being too obscure about it, so that it is never hard to follow or understand. When it comes to the cast and performances, they do not leave much to be desired. Elle Fanning is fantastic as Jesse!

This film is apparently very divisive, but I definitely recommend giving it a try! If you liked Drive and Only God Forgives, chances are you'll like this one as well.

I thought a movie about attractive aspiring super models, would be worth a go. 

However I was bored. The movie looks fantastic and I’m a big fan of Keanu Reeves, but this did nothing for me. 

Everything was too ‘arty’ and each scene was dragged out. 

I’m obviously not the target audience, and feel this would only really appeal to movie studying students.

This review may contain spoilers. I can handle the truth.

foster the people - best friend

Je sais pas trop quoi en penser. Comme à son habitude NWR nous offre une magnifique réalisation avec certains plans vraiment trop beaux pour mes petits yeux. L'histoire est pas aussi chiante que sur OGF par exemple, mais elle m'a tout de même laissée perplexe. En fait j'étais vraiment bien dedans jusqu'au 2/3 du film environ puis sur la dernière partie tout part un peu dans tous les sens et je ne savais plus du tout ce que j'étais censée en tirer. Dommage j'aurais pu vraiment bien aimer je pense.

Don't watch this. Too many rape scenes. Elle Fanning was really good and won me over. In makeup she resembles Caroline Trentini. The first half is good but the second half is disgusting. The first half - it was slow-paced, and the dialogue is very sparse, and yet it was interesting, like the movie "Enemy" (2013). It is great to look at, the aesthetics were beautiful, and the soundtrack was hilariously interesting, like the show "Read All About It".

But then the movie becomes way too sick for my "blood".

www.youtube.com/watch?v=OmMqt4b59Kg