"Moneypenny, where's 007?"
"He's on a mission sir. In Austria."
"Well, tell him to pull out. Immediately."
My favorite of the Roger Moore Bonds.
If you ever need proof for the theory that the Bond movies work as time capsules, transforming the formula to fit the tastes of the time, you need look no further than The Spy Who Loved Me. It screams late 70's the same way the tacky special effects of the Brosnan Bonds scream late 90's. The cinematography is dark and stylized, imitating the neo-noir aesthetic of directors like Alan Pakula (The Parallax View). The soundtrack is a blend of funky slide guitar and early synth, marking the height of disco's popularity. There's even an undefeatable character…