Synopsis
A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.
2017 Directed by Ruben Östlund
A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.
Claes Bang Elisabeth Moss Dominic West Terry Notary Christopher Læssø Lise Stephenson Engström Lilianne Mardon Marina Schiptjenko Annica Liljeblad Elijandro Edouard Daniel Hallberg Martin Sööder John Nordling Maja Gödicke Nicki Dar Josephine Schneider Sofie Hamilton Robert Hjelm Anna-Stina Malmborg Gunnar Häglund Nina Strand Erik Sundfeldt Peggy Johansson Jonas Dahlbom Sofica Ciuraru Stefan Gödicke Mia Svenheimer Per Magnus Johansson Erika Jareman Show All…
ZDF/Arte Plattform Produktion ARTE France Cinéma Coproduction Office Det Danske Filminstitut Essential Filmproduktion Imperative Entertainment Minorordningen Svenska Filminstitutet SVT Film i Väst Nordisk Film & TV Fond Société Parisienne de Production Danmarks Radio (DR) Alamode Film TriArt Film
方形, 더 스퀘어, The Square. La farsa del arte, O quadrado, Квадрат
So you've got a heavy-handed, sorta clumsy piece of art concerning inclusive spaces, unexamined privilege, and performative allyship about people who make and promote heavy-handed, sorta clumsy art about inclusive spaces, unexamined privilege, and performative allyship rather than confront their own hypocrisies. So there you go. This works more than it doesn't mostly because it's very funny and feels spontaneous even though it's almost absurdly schematic and can't stop bluntly explaining itself.
thought i would love this, but it has about 6 different movies crammed into 1 and didn’t do much for me. although, the two main elisabeth moss scenes are absolutely hilarious
i’m speechless. truly something special. satire on art, classicism, power, nationalism, and so much more.
also the first movie where i saw people fight over a used condom, use that information as you will.
"Dee Made a Smut Film" from It's Always Sunny in Philadelphia (the Ongo Gablogian episode) for 2 hours and 30 minutes (but with a looser narrative).
Quick scattered thoughts: I loved how Östlund moves (and doesn't move) the camera to visually display the chaos and hilarity of certain sequences, some great Archer-level scene transitions, Elisabeth Moss is as always the best part of whatever she's in (seriously, she is crazily funny here), the structure of the movie makes sense within the confines of what it's trying to achieve (this sounds like gibberish but it's intentionally chaotic and choppy), the cinematography is gorgeous, Östlund really knows how to direct crowd shots and just get great performances out of everyone, Claes Bang…
This was so fucking funny I can’t. It’s crazy uneven but I can’t help loving it. It’s so ambitious and clever.
This is a post modern art film that tries to talk about almost everything
morals, rich and poor, racism, modern arts and criticise them
palm d'or winner
A film that tries to be super deep but ends up coming across as quiet shallow. There are many interesting underlying themes that could have been focused on in much better ways, but instead the film just tells you with a complete lack of subtly. Maybe that’s the point and that people are so unbothered to see what’s directly in front of them. Despite the fantastic performances by all of the cast, these characters are insufferable. Do they learn anything from all these thematic events? The film is still well shot and scored. It didn’t need to be two and a half hours long. I understand what it was going for, I just wish it was doing it in a better way and with a bit more subtly.
had to watch this for my art spaces class so i felt like i had to examine this through my knowledge about the art world but i was surprised to have kinda enjoyed it even if i was 90% sure i was gonna fall asleep (i didn’t!!)
the overall storyline is still weird and confusing but once you notice the little hints of symbolism it does get a little redeemable. well, in my case at least.
other things that i enjoyed: the juxtapositions, the wide shots, the many squares, the monkey and the condom argument
The Square is a funny and supremely tense exploration of the frontier of the tranquil civility wealth affords one which is constantly threatened by intrusions from the terrifying unexpected nature of life. The sequence with Terry Notary is one of the most spellbinding of that decade.
Tobias Andersen 7,606 films
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