gotta say this live action adaptation of the barbie horse adventures video games got seriously intense

this is just how horse girls are

Trust No Horse Girl

This felt like the type of movie yorgos lanthimos would make if he was a human being

Forgot to log this one. Watched it on Blu-ray.

Really strong debut. Hope it gets some Spirit and Gotham love. Lyle Vincent is a great DP and this film looks beautiful. Strong performances by Olivia Cooke and Anya Taylor-Joy.

RIP Anton Yelchin

Who would've thought that a six-minute long take of Olivia Cooke literally sleeping would be one of the most electrifying and nail-biting cinematic experiences of the year?

AFI 2017: film #3

would you believe me if i told you that this was the funniest fucking movie i’ve seen all year? i’m in awe. definitely the most sickeningly fun time i’ve had in a theater in such a while. and honestly? it has the potential to be a cult classic. i absolutely adored this. heathers would be proud

Anya Taylor-Joy: The queen of being in movies that are shot really well and have a lot of potential but come out underwhelming.  I don’t exactly know what it is that I didn’t like about this but there was something I didn’t like. Every technical aspect was phenomenal. Great cinematography, great editing, great sound design, etc. And also some pretty great performances. But wow just imagine Yorgos Lanthimos getting his hands on this lmfao. In fact this is an open letter to Yorgos to PLEASE BUT ANYA IN YOUR NEXT MOVIE, THANKS.

If the past few months have taught us anything, it’s that not giving a shit about other human beings is the best way to get ahead in life. Empathy is a weakness. It’s a virtue, of course — and hopefully part of our natural condition — but it’s also a weakness. Empathy is one of the few things that money can’t buy, and the only thing that the rich can’t afford. “Thoroughbred,” Cory Finley’s delightfully vicious and mind-bogglingly confident first feature, is a pitch-black comedy about the danger of being around people of privilege when they first start to figure that out.

READ THE FULL REVIEW ON INDIEWIRE

“i just threw it away”

a MONUMENTAL addition to 2018 and two of the most solid performances of the year. can’t wait for future film scholars to frantically debate how this was so overlooked when it’s such a ridiculous good time

hum de hum de hum de hum de hum hum de hum de hum de hum de hum hum hum humm

huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa puppa puppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa huppa puppa heh heh heh heh

huppa puppa huppa puppa huppa hummm humm
huppa puppa huppa puppa huppa HUMM hummm
huppa puppa huppa puppa huppa mrmmm mrmmm
hummm hrmmm hum hhum
huppa puppa huppa puppa huppa mMMRMmm

ohhh rgaaaahhh
ooohhh rhaaaahhhhh
huhhh rahhhhh
rrrguhhh ruhhhh

rggeggegggeegggeeeegnnnngnngggnnngggeggegggeegggeeeegnnnngnngggnnng

uhh mrrrrm mhmm

*EXTREME BASS GUITAR*

that is all.

all horse girls should be put in jail as a preventive measure

"𝑌𝑜𝑢 𝑐𝑎𝑛𝑛𝑜𝑡 ℎ𝑒𝑠𝑖𝑡𝑎𝑡𝑒. 𝑇ℎ𝑒 𝑜𝑛𝑙𝑦 𝑡ℎ𝑖𝑛𝑔 𝑤𝑜𝑟𝑠𝑒 𝑡ℎ𝑎𝑛 𝑏𝑒𝑖𝑛𝑔 𝑖𝑛𝑐𝑜𝑚𝑝𝑒𝑡𝑒𝑛𝑡, 𝑜𝑟 𝑏𝑒𝑖𝑛𝑔 𝑢𝑛𝑘𝑖𝑛𝑑, 𝑜𝑟 𝑏𝑒𝑖𝑛𝑔 𝑒𝑣𝑖𝑙, 𝑖𝑠 𝑏𝑒𝑖𝑛𝑔 𝑖𝑛𝑑𝑒𝑐𝑖𝑠𝑖𝑣𝑒."
-𝐴𝑚𝑎𝑛𝑑𝑎

And yet by some tragedy, hesitation and indecisiveness seems to be what defines this film. It's tragically underwhelming. The characters are poorly fleshed out. There wasn't enough give from the writers. As an audience we don't empathize enough with either Lily or Amanda. We don't exactly feel for Lily wanting to get rid of her stepfather. We don't feel for Amanda wanting to reunite with Lily for whatever reason. There was no real decision made on the characters and whether the audience would root for or against them. Thus making the film as a whole quite underwhelming, as we are simply left to hold onto the main heist as the drive of the film, but that only gets you so far.

solo la vi por anya
y me arrepiento

I’ve really come around to love this film. I had to watch it again for it left me with a feeling that most films don’t the first time around. I knew there was something special the more I thought about it. With a second viewing, and knowing how the film resolves itself, made the experience so much more rewarding. This is a fascinating depiction of wealth and the kids raised in such an environment. It’s strange, but packs a punch, and has a lot to say about these privileged children in this day and age.

Me gustaron las actuaciones de Anya y Olivia un montón, las amo<3 
Y termine empatizando más con Amanda al final.

._.

metidinho a cult odiei

I’m not sure how I feel about this movie yet, like, I’ve seen people say it’s not such a big deal and others say it’s really good, but in my opinion it was good but not soooo good? 
It has the elements and I think that it makes you feel uncomfortable with the relationship the characters hold and how the story develops yet you know that even when not pleasing it’s what was going to happen and you’re not that surprised but you’re still surprised that you actually headed in the right direction???? Idk, it’s a confusing and weird movie that I liked

Forgot how great this movie is!

this was my first Anya movie and my first Chloe cook movie and the show is rlly grounded by their performances

this is a debut film holy hell?!?

the chapter divisions and theatrical background of the screenwriter make for a wonderful starting point

the score slaps too!

the cons were the tame cinematography and the sometimes lagging pacing

Gran debut en la dirección, muy paciente y con buen ojo para el detalle. Lo mejor lejos las dos protagonistas.

Hay algo que me falta, pero no sé que será y no creo que tenga que ver con la simplicidad de la trama o con la perfección visual y de puesta en escena.

gaslight gatekeep murder

Had high expectations for this one but unfortunately this didnt work for me, i think it doesnt have much to say other than watch these 2 teens planning a murder. The visual style is unique and the performances are really good but thats about it, I didn't feel anything watching this movie other than "oh look thats a cool shot". I had the same issues with Bad Education so I don't think Finley's films work for me now.

what's gayer, a homosexual or whatever these two have going on ?