Synopsis
TALK ABOUT T.N.T! THIS is IT!
A Martinique charter boat skipper gets mixed up with the underground French resistance operatives during WWII.
To Have and Have Not
1944 Directed by Howard Hawks
Cast
Humphrey Bogart Walter Brennan Lauren Bacall Dolores Moran Hoagy Carmichael Sheldon Leonard Walter Szurovy Marcel Dalio Walter Sande Dan Seymour Aldo Nadi Eugene Borden Lance Fuller Maurice Marsac Ron Randell Jack Chefe Adrienne D'Ambricourt Jean De Briac Marcel De La Brosse Elzie Emanuel Harold Garrison Fred Farrell Suzette Harbin Sir Lancelot Paul Marion Louis Mercier George Suzanne Crane Whitley Chef Milani Show All…
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Alternative Titles
Tener y no tener, De haven van angst, Taowang, Le port de l'angoisse, Kirjava satama, Acque del Sud, Uma Aventura na Martinica, Да имаш и да нямаш, Miec i nie miec, Η Σειρήνα της Μαρτινίκα, Szegények és gazdagok, 소유와 무소유, Ernest Hemingway's To Have and Have Not, Мати і не мати, Att ha och inte ha, 逃亡, 江湖侠侣, 取舍之间, 有的和没有的, Tenir-ne o no, Mít a nemít, At Have Og Ikke Have, Haben und Nichthaben, داشتن و نداشتن, Le Port de l'angoisse, להחזיק ולאבד, 脱出, ყოლა - არყოლა, Turėti ir neturėti, Mieć i nie mieć, Иметь и не иметь, Sahip Olmak Ya Da Olmamak, Мати й не мати, 奇奔妙逃
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73
Lauren Bacall's entrance is superstar level. Nonchalantly lighting a cigarette, it's as if the entire screen opens up for her presence. The movie as a whole is pretty great, but you're here for Bogie and Bacall, and holy shit, do they deliver.
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what the....i’m not new to lauren bacall but every time she appeared i got hella goosebumps like i was discovering her screen presence for the first time? wow, her POWER.
35mm. MoMA.
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hi letterboxd dot com, tonight I’m thinking about how in every scene in this, humphrey bogart and lauren bacall look like they’re sharing a private joke, and maybe that’s just love
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From IMDB: Lauren Bacall wrote in her autobiography that it was in the third week of shooting that friendly banter between her and Humphrey Bogart turned into something more. At the end of shooting one day, "...he leaned over, put his hand under my chin, and kissed me. It was impulsive - he was a bit shy - no lunging wolf tactics. He took a worn package of matches out of his pocket and asked me to put my phone number on the back. I did." ❤️❤️❤️
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I'm not someone who usually celebrates their birthday, simply because I don't think there's much reason to celebrate my life, and also because I am alone in my life and therefore also on my birthdays. I'm also one of those women who struggle tremendously with getting older, in a way that goes beyond simple vanity. So birthdays are not good days for me, and when they come around I try to survive them mostly via denial and distraction, but somewhere deep down there is something that forces me to think that I should try to treat myself somehow, that I should try to find something.
So I spent a large part of my birthday yesterday trying to come up with…
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Lauren is so beautiful it hurts. That black dress??? That little dance she does at the end??? Yes I’m obsessed.
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70/100
"You know how to whistle, don't you, Steve? You just put your lips together and blow." As noted on Twitter, it made me downright giddy to finally discover, after seeing that clip out of context probably 100 times over nearly half a century, that Bogart's character in this movie is not in fact named Steve—she just calls him that throughout, for no apparent reason and without ever receiving so much as a puzzled glance, much less a correction. That's quintessential Hawks (indeed, "Slim" and "Steve" were reportedly he and his wife's own nicknames for each other), and so, too, is To Have and Have Not's most glorious moment, which never shows up in old-Hollywood montages but which I immediately…
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The first of the Bogart Bacall pictures, and the last of them I have to see, this felt more like Hawks trying to recreate the magic of Casablanca than the noir I was expecting.
It's parallels to Casablanca are obvious from the get go. Bogart in an exotic location fighting for American values, while foreign officials are on his tail. That being said, this movie does still stand out from Casablanca, mostly because of Bacall.
19-year-old Bacall looks like she was born to be a star in this. With her deep sultry voice, you would think she was much older, it is astonishing she's able to go toe to toe with an established and older actor like Bogart. With the…
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Something I've noticed... how much value is placed on friendship, and not just in this film, but in many of Hawks' films. Even lovers are primarily friends, you can imagine them hanging out without getting into each other pants, and they help each other out without a hidden agenda. I think that's why his romances are so interesting. Because above all else, these people are pals.
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lauren bacall in an all black, satin, high waisted skirt and long sleeve crop top combo, leaned up against a piano, serenading humphrey bogart in a french cafe is really all this amenable bisexual needed on this fine evening
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