Synopsis
They shared the pleasures of the flesh, and the horrors of the grave!
A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.
1974 Directed by José Ramón Larraz
A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.
Vampyres: Daughters of Darkness, Vampires in the Twilight (2007), Vampires in the Twilight, Blood Hunger, ドーターズ・オブ・ドラキュラ/吸血淫乱姉妹, ドーターズ・オブ・ドラキュラ 吸血淫乱姉妹, Las Hijas de Drácula, Vampyres- Drakula lányai, Ossessione carnale, ドーターズ・オブ・ドラキュラ/吸血淫乱姉妹, 뱀파이어, As Filhas de Drácula, Вампиры, 吸血夜
Surprisingly well-made but kind of boring when people weren't having sex or murdering each other. Just like real life!
Atmospheric, transgressive, psychosexual vampyre romp filled with blood, and set in the perfect foggy crumbling castle via the hemmed in English countryside. Surprising final act took me off guard, a deliberately paced hypnotic ride filled with cloaked companion lovers hunting playboy men via hitchhiking deep within the wood—and the wine cellar.
Right there with Symptoms as my favorite Larraz, I need to explore his earlier work more often.
Needed more vampirism and gay shit and less dreary annoying main dudes who kiss by just opening their mouth as wide as it goes and sticking their tongue out and rubbing it all over fran's face – that was the most disturbing part of the film
Wow! What a film. Iconic imagery. One of my fave discoveries of 2020.
Watched the Arrow Video Blu-ray (part of the Blood Hunger: The Films of José Larraz box set)
VAMPYRES
- Brand new audio commentary by Kat Ellinger
- Brand new interviews with producer Brian Smedley-Aston, actors Marianne Morris, Anulka Dziubinska, Brian Deacon, Sally Faulkner, makeup artist Colin Arthur and composer James Kenelm Clarke
- Reimagining Vampyres – a brand new interview with Larraz’s friend and collaborator Victor Matellano, director of the 2015 Vampyres remake
- Extract from an archival interview with José Larraz
- Jose Larraz and Marianne Morris Q&A at 1997 Eurofest
- Image Gallery
- Trailers
they shared the pleasures from the flesh and the horrors of the grave. a duo of feral blood-hungry bisexual vampires prowl the British countryside luring men back to their gorgeous candle-lit gothic castle, the men think they’re in for a good time, the women on the other hand, have an entirely different idea of fun; capture and consume their blood; never letting a drop go to waste.
atmospheric, blood soaked, and ravishingly erotic, it all feels like a mixture of Fascination from Jean Rollin and ultra-sleaze from the likes of Jess Franco; that pairing makes for José Ramón Larraz's psychosexual fever-nightmare that is Vampyres, full of sex, lust and murder—and awful kissing.
I’m an absolute sucker for sequences of women lurking…
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“This is my lucky day.”
“Don’t ever say that.”
On one hand, sex with gorgeous bisexual vampires. On the other, certain death. I call that
High Risk/High Reward!
Usually, British + Gothic = Snoozefest for me. Stuff like Hammer has never been my jam, but this film is much more in line with something Jesús Franco would make. It avoids the rigidness I find in so many of those films and instead exists purely on vibes.
And there’s a plethora of boobs. So that helps too.
I wouldn’t say the film has much of a plot, I said the film is pure vibes and I meant that. It’s essentially scenes of softcore sex…
A savage wildness beset and surrounded by a befogged melancholy and quiet coziness, hemmed-in by trees and meadow, a ceiling of thunder. Trapdoors within trapdoors hold a fastness of void, a fortress built outward from nothing and planted within, to sleep and to dream.
Larraz's 'Vampyres' is a hybrid vampire-ghost haunted house/vampire den movie, inhabited by a loving couple whose lives have been unutterably altered by sudden, invasive violence. The film is about their efforts to re-establish domestic equilibrium and safety in the wake of this violence, which has infected them also. In order to remain, they must consume the blood of others. This is a long-standing tradition, going back to at least Ancient Greek Mythology and certainly long before,…
This is better lit than like 99% of what gets made these days and it is mostly just vampires and boobs.
Well, this is just wonderful! José Ramón Larraz's tale of bloodlust and lesbian vampires. The film is deliberately paced with a simple plot - focusing on two beautiful female vampires, who take hitchhikers back to a huge house in the countryside where they feast on blood. This is a real slow burn sleaze. The film sets out its cards straight away and then just rolls with it. The setting is superb; a crumbling but beautiful country mansion and nearby forest. This bodes well with the two leads who are both sublime and Larraz certainly knows how to film a sex scene. Vampyres doesn't get caught up in any vampire mythology, preferring instead to focus on the bloodlust of the two central characters. It's all quite low key, but the film let's its hair down in places - especially towards the end. Surely this film is up there as one of the sexiest vampire films ever!
There's nothing sexy about José Ramón Larraz's version of vampirism. There is seduction, certainly, and a degree of eroticism, but the central trope of the myth, the feeding from the neck of a mostly willing victim that people like Christopher Lee made so alluring, is nowhere to be found. Instead, there is carnage: screams of pure terror; bodies hacked with knives, or torn apart with teeth and hands; delirious, brutal devouring of living, fighting human beings. It's jaw-dropping and terrifying, an interpretation of the legend that stands out for its originality and, oddly, realism.
Even when the vampires are controlled — thinking, seducing, toying — their reality remains disorienting and uncomfortable. Yes, the male victim who becomes their captive enjoys…