Synopsis
A French chef swears revenge after a violent attack on his daughter's family in Hong Kong, during which her husband and her two children are murdered. To help him find the killers, he hires three local hit-men working for the mafia.
2009 ‘復仇’ Directed by Johnnie To
A French chef swears revenge after a violent attack on his daughter's family in Hong Kong, during which her husband and her two children are murdered. To help him find the killers, he hires three local hit-men working for the mafia.
复仇, Vengeance - Mörder unter sich, Fuk sau, Revenge
The opening scene garners instant sympathy from the audience! A brilliant tactic by the way! It's funny how the senseless violence angers and horrifies us but before long were ready to give a standing ovation when the bad guys finally get their comeuppance!
An extraordinary Revenge film that has a highly unusual twist that is played out masterfully and is what sets this film apart from the rest! While Johnnie To's film's are most remembered for being stylish gunplay ballet they also are celebrated for the many scenes devoted to brotherhood and loyalty! They also have some much needed humor scattered throughout the film for the sake of levity and exploiting the endearing qualities of its anti hero's!
The film…
The film that turned me on to Director Johnnie To!
There is a wicked twist that is revealed early in the film that is unlike anything you have ever witnessed before! Its what sets this film apart from the rest!
To's film is choreographed violence and mayhem! It's stylized gangster gunplay and blood spray ballet!
One of prevalent themes in many of To's films is brotherhood! This one is no different! The three Chinese gangsters (Anthony Wong, Ka Tung Lam, Suet Lam) form a brotherly bond with the man (Johnny Hallyday) whom hired them to seek revenge!
Johnny Hallyday is a French pop star in real life, looks like a real gangster with his weathered face and ice cold beady…
The role for the revenge-seeking French chef was originally attached to Alain Delon, who ended pulling off because of his dissatisfaction with the script. The result was To's second worthy Palme d'Or nomination. I could swear that if Delon had looked beyond the pages and research the director's aesthetics more and had accepted, this would have received full marks.
To finishes his unofficially established Macau trilogy involving family issues, fatalism, the volatility of loyalty within the triads and similar criminal organizations, and group dynamics with constantly-shaping friendship inclinations. Whereas Exiled had represented the pinnacle of his artistry featuring a stunning fusion between Leone's pacing and Woo's gun cataclysms, Vengeance is another bullet ballet impressionistically designed after the technical execution initiated…
After his son-in-law and grandchildren are murdered by triads Costello (Johnny Hallyday) promises his daughter who survived the hit badly injured to avenge the act. He seeks out hitmen to help him as he suffers from increasing memory loss which will complicate things for him...
After having watched VENGEANCE a second time I now am happy to say that I finally - after six years - found a new entry for my top 10 movies of all time. VENGEANCE for me is a perfect movie.
What elevates it from To's other movies is its emotional impact. Where To goes for strikingly looking action cinema in most of his crime movies VENGEANCE reflects the genre and digs deeper into themes like…
"What does revenge mean when you've forgotten everything?" The answer, of course, is nothing, but by the point anyone realizes that, vengeance has become such a ravenous parasite that it transfers hosts to continue to live. Motion is a key aspect of all of To's films, but here it seems to embody not so much the constant shifts of space and fate so much as the termitic jumps of the drive for revenge among characters both villainous and heroic (for want of a better phrase). Also features some of To's most poetic action, especially in a lyrical shootout that stops and starts with the fading of moonlight behind clouds. It's a dance of engagement and cover in the open, between…
Lise and Jonnie's What A Wonderful World 2015
Action Friday has rolled around again, and it’s the final Friday of the 30 days challenge. Our grand plan of getting up really early and watching films before work just hasn’t panned out, so, it’s usually watching in the upstairs theatre while eating dinner. As we were closing in on the end of the work day, Lise asked me if we should give finishing Raid 2 another shot. Well, in the interceding time since we watched a few friends have exposed about the graphic violence. I’m not really keen to shovel in mouthfuls of curry to the sights of bones protruding from flesh, so, I asked my better half if there was…
Finally, a Johnnie To movie that clicks with me! I think what separates Vengeance from the other To movies I've seen is its clean narrative and strong emotional core - perhaps due to To's courting of an international audience (although it takes place in Macao and Hong Kong, the main character is French and much of the dialogue is in English). And although it starts out as a fairly conventional revenge thriller, it takes a pretty unexpected turn that I won't spoil here, but makes it even more of a meditation on the futility of vengeance than most movies that tackle the subject - or maybe not, considering that final sequence...
What is revenge?
-Costello
Director Johnnie To has taken brotherhood and male bonding between hitmen/gangsters and turned it into a genre of it's own. Although I never get tired of him revisiting these themes in his films, I think this might have been his last one in that tone. It's been four years though, so another one is probably just around the corner.
I like this film quite a bit because unlike his previous works, it throws in a "foreigner" into the mix. Costello, a French chef with a questionable past, is out for revenge against the men who murdered his son-in-law, grand-children and nearly killed his daughter. He is played by Johnny Hallyday, a man who is an icon…
30 countries challenge - film 21 - Hong Kong
I'm discovering Johnny To and lovin' it.
When he's being all stylized, man, can he do it. I don't think Vengeance is as great as Exiled, but if I'm being honest I don't think anything will beat that one.
In this one, though, you gotta love the references to Le Samourai, with Costello, a former hit-man from France who comes to avenge the death of his daughter's family. I loved how they explained that he got shot in the head (and we know who did that, don't we) but survived, left the business and started a restaurant. I wonder if he hired anyone to sing at the restaurant...The great twist is…
You better not fuck with Johnny Hallyday!!
He plays a French chef (yep, that's right) who comes to Macao to avenge his daughter who was shot an killed for mysterious reasons....
Those expecting some great action set-pieces wont' be disappointed - the shootout in the moonlit woods is pretty damn great.
There are lots of To regulars here and the brotherhood among them will remind viewers of other To movies.
Formally Vengeance doesn't come near To's best, although it's quite interesting in its use of multiple languages. Definitely worth a watch.
Vengeance is a solid entry in the revenge genre, expertly acted and directed. Johnny Hallyday is a weathered looking badass with a firmly chiseled jaw. He's out for revenge, but everything is not as it seems with him. Anthony Wong is a badass with some fly ass shades. Lam Ka-Tung can put a gun together real fast, and shoot it well. Lam Suet is a fuckin' boulder. Together, they unite to take down some triad members who have been up to some no good.
This is my first introduction to Mr. Johnnie To, but he directs with a finesse and style that just screams badass. There is a moonlight gunfight in the middle of the film that had me scrambling…
This is my second Johnnie To movie, and already he’s starting to become one of my favorite directors.
Just like Drug War, this is an air tight crime thriller, this time focusing on revenge and hit men instead of drugs and police officers. The opening scene immediately gets your sympathy and investment and kicks off one of the most efficient and engaging action thrillers that I’ve seen in a while. There’s almost a western feel to it, especially during the shootouts, that gives it a lot of natural style without sacrificing the grit and realism. There’s an insane amount of beauty here too - the moonlit woods shootout is one of the best actions scenes I’ve seen in ages -…
Midwit Reviews :
'man theres not much redeemable about this one. some flimsy plot that is half kill bill and half memento, poorly scripted fight sequences, corny to the point of absurdity ... and why have the dialogue written in english then not cast any actors that speak it well? the praise for this is genuinely baffling.' Sung. P
It took a while until Anthony Wong looked cool to me after Ebola Syndrome, but this definitely did the trick.
Johnnie To‘s
VENGEANCE
„Diese Jacke gehört ihnen“
Auf dem Papier und in den Bildern „hätte“ das eigentlich absolut „mein“ Streifen sein müssen.
Leider hat der mich TOTAL enttäuscht.
Keine Ahnung wie und warum man JOHNNY HALLYDAY den „mehr oder weniger“ Lead gab (gibt bestimmt ne tolle Kneipenstory dazu), aber er wirkte (nicht seiner Rolle wegen) wie ein absoluter Fremdkörper in dem Film.
Weder im Bezug der Story, noch dem „Zusammenschluss“ mit seinen Freunden.
Das passte alles nicht zusammen ... wirkte zäh, bemüht und hat mich (alles) so kalt wie n Aalarsch gelassen ...
Die Bilder/Kamera waren toll (ohne Frage), gab auch nette Shootouts, aber wenn dem Ganzen die Tragfähigkeit (vermittelt durch Story und Cast) fehlt- oder mir keinen Zugang gibt-…
都係偏少對白,靠鏡頭同動作,smooth 嘅; polaroid 記事有feel; hard; 玩埋月光;射單車試槍; 卡士蘭永遠都係做大老闆;有葉璇驚喜; 未去到放逐level; 大槍戰臨死都要食返支煙,好明白嗰下個需要; 祈禱見返哂d 死人少鳩; 小朋友貼埋貼紙落鬼佬度貼心
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