Synopsis
I found someone I like.
Shizuku lives a simple life, dominated by her love for stories and writing. One day she notices that all the library books she has have been previously checked out by the same person: 'Seiji Amasawa'.
1995 ‘耳をすませば’ Directed by Yoshifumi Kondo
Shizuku lives a simple life, dominated by her love for stories and writing. One day she notices that all the library books she has have been previously checked out by the same person: 'Seiji Amasawa'.
Yoko Honna Issey Takahashi Takashi Tachibana Shigeru Muroi Minami Takayama Mayumi Izuka Yorie Yamashita Keiju Kobayashi Naohisa Inoue Shigeru Tsuyuguchi Toshio Suzuki Maiko Kayama Yoshimi Nakajima Mai Chiba Satoru Takahashi Akiko Sakaguchi Hiromi Yasuda Tatsuya Okada Yoshihiro Imai Suguru Egawa Shiro Kishibe Mitsuaki Ogawa
귀를 기울이면, Mimi wo Sumaseba, Mimi o Sumaseba, 梦幻街少女, Susurros Del Corazón, Якщо прислухатись, 耳をすませば, วันนั้น...วันไหน หัวใจจะเป็นสีชมพู, Sussurros do Coração, Se Ouvires Atentamente, If You Listen Closely, I sospiri del mio cuore, Si tu tends l'oreille, 夢幻街少女, Stimme des Herzens - Whisper of the Heart, همس القلب, Murmuris del cor, Šepot srdce, Hjertets Hvisken, Ο Ψίθυρος της Καρδιάς, Susurros del corazón, Sydämen kuiskaus, לחישת הלב, A könyvek hercege, Širdies šnabždesys, Szept Serca, O Sussurro do Coração, Șoapta inimii, Шёпот сердца, Šepot srdca, Шапат срца, Om du lyssnar noga, Yüreğinin Sesi, Шепіт серця, Lời Thì Thầm Của Trái Tim, 侧耳倾听, 心之谷
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0:15 -3:03
Take Me Home, Country Roads
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This hit me so hard in so many ways. I haven't felt this "seen" by a movie since I first watched Lady Bird 4 years ago. Fuck, man, this is such a special film in so many ways. Every aspiring artist and dreamer needs to watch this. I'm never gonna be able to listen to Country Roads again without sobbing thanks
the moral of the story is: go to the library and you’ll find the love of your life
Earlier on Twitter, I asked why America could never produce an animated film like this, to which someone responded that a film of this quality is rare in Japan as well. That must be true, but it's a misapprehension of what I meant: even setting aside the film's quality, its very structure and purpose, a low-key character drama in which fantasy provides only the briefest appearance, is alien to our concept of animation as a vehicle for preoccupying children and, on occasion, providing a knowing wink to older crowds who take their kids. To be clear, though, this is very much a film for youth, foregrounding the awkward first steps of self-actualization taken by creative teenagers, the self-conscious awareness of…
Watched it again, this time with the original Japanese audio.
I don't think it's the best Ghibli film, but it's absolutely my favorite. I feel like I've been waiting for a movie like this all my life.
The video I'm making on this movie is going to kill me with its wholesomeness