“If non-indigenous people are going to be afraid of Indian Burial Ground then I’ve got news for you, it’s all an Indian Burial ground.”
Kier-La Janisse, author of ‘House of Psychotic Women’, and very probably North America’s most interesting horror film scholar, has created something extraordinary. An exploration of the tonal, thematic, and symbolic construction of ‘folk horror’ and its application as an idea or an engine in our literature and cinema. And, also, in our lives.
This always insightful film is never more so than when it calls out real world ‘folk horror’, like Nazi national socialism, or profound U.S. southern poverty after the civil war, or urbanizing society’s fear of nature, or the entire human history of otherizing…