Another of Apichatpong's exploration of sleeping, joining Cemetery of Splendour, Memoria, Blue, Night Colonies, too many to name. Like some of those pieces, here he blends and merges sleep/waking, dreamer/dreamed, filmmaker/subject, film/audience, fiction/reality. The political overtones may lie in the subjects finally appearing to wake, united at last in a shared space, only to suggest we're all always in a perpetual state of waking.
Unrated because I was only able to see a flattened copy of this installation piece. The…
