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  • Untold Scandal

    Untold Scandal

    Transposing the French classic Les Liaisons dangereuses to late 18th-century Korea, this luxuriant saga of boudoir intrigue begins as playboy nobleman Jo-won (a delightfully roguish Bae Yong-joon) makes a bet with his scheming cousin Lady Cho (Lee Mi-sook) that he can seduce a virtuous young woman (Secret Sunshine’s Jeon Do-yeon), setting into motion a salacious drama of erotic gamesmanship, jealousy, betrayal, and revenge. Elegantly directed by E J-yong, who delights in the opulent period trappings, Untold Scandal is a deliciously…

  • Resurrection of The Little Match Girl

    Resurrection of The Little Match Girl

    Blurring the lines between cinema, virtual reality, and choose-your-own-adventure thrill ride, this postmodern, mind-warp techno-fantasy comes perhaps as close as any film has to replicating the labyrinthine logic of a video game. Ju (Kim Hyun-sung) is a computer game–obsessed delivery boy who finds himself seemingly living in an elaborate video game based on the Hans Christian Andersen tale “The Little Match Girl.” His morbid objective: to lead her into a peaceful death while thinking only of him. As he is…

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  • The Irishman

    The Irishman

    The Irishman is a richly textured epic of American crime, a dense, complex story told with astonishing fluidity. Based on Charles Brandt’s nonfiction book I Heard You Paint Houses, it is a film about friendship and loyalty between men who commit unspeakable acts and turn on a dime against each other, and the possibility of redemption in a world where it seems as distant as the moon. The roster of talent behind and in front of the camera is astonishing,…

  • War and Peace

    War and Peace

    From February 15-21, the Film Society is pleased to present a new digital restoration of Sergey Bondarchuk’s seven-hour-plus adaptation of Tolstoy’s magnificent novel. Winner of the 1969 Oscar for Best Foreign Language Film, Bondarchuk’s War and Peace sets the changing fortunes of several aristocratic families against the backdrop of Napoleon’s invasion of Russia. On record as the most expensive Soviet film in history (more than $70 million after inflation), it is also perhaps the greatest epic ever made: an exquisite production of spectacle and realism, the political and personal, that endures as a monumental achievement in filmmaking.

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