A rose-tinted trip to the Tinseltown of the yesteryear, too late for it’s glory days of screen icons and scarlets but too early for cynicism to set in. Once Upon a Time in Hollywood portrays a Hollywood stuck in time, homogenizing with the small screen to other big time thrills in people’s homes, with an old fashioned sense of cinematic quality of cowboys and westerns, blissfully ignorant with it’s own invented wistful charm.
It’s Tarantino at both his full capacity,…
Kinda hoped this would have clicked a little more on second watch through. I adore the vibe Tarantino is going for, I love the performances a little more this time and I can respect the restraints he’s attempting to wrangle with. But the film still has a strange imbalance between it’s characters battling for screen dominance, and ultimately the defined more by who plays them than Tarantino’s screenplay.
Still that Morricone score and 70mm cinematography is more than a highlight in Tarantino’s filmography.
Reportedly one of Adolf Hitler's favourite films.
A part of me thinks he didn't quite get it...
It's lazy. It's incompetent. It's lazy and incompetent. It's lazily incompetent and it's incompetently lazy. It's lazy within it incompetency and incompetent in it's laziness.
這是懶惰的。這是不稱職的。這是懶惰和無能。這是懶洋洋地無能和它的無能懶惰。這是在它的無能和不稱職它的懶惰懶散。
Kjo është dembel . Është i paaftë . Kjo është dembel dhe i paaftë . Është lazily paaftë dhe kjo është incompetently dembel . Kjo është dembel brenda atë paaftësisë dhe të paaftë në atë të përtacisë .
انها كسول . انها غير كفء. انها كسول و غير كفء. انها غير كفء بتكاسل وانها…
