Ah, yes, the under-appreciated sub-genre of Michael Douglas playing a horny rich asshole in a long coat.

This holds up surprisingly well, and the suspense works effectively thanks to Lyne's directing (which was never better than it is here) and Michael Khan's editing (there was a second editor, as well, who also deserves credit).

However, the entire premise of the story is undermined by poor - or should I say backwards - casting. This douche bag is married to Anne…