at night here, we can see past the stars.
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After Yang 2021
"i’m fine even if there’s nothing in the end."
It’s very hard for me to talk about this one, and I do wish there was a way for my heart to verbalize how it makes me feel on the inside, it would be capable to say so much more than I am. I don’t think it’s a feeling that i’ve ever experienced before, it’s almost like a wave crashing on you. but that wave is crashing as delicately as possible…
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Mona Lisa and the Blood Moon 2021
Zürich Film Festival: film #9
Oh I just completely fell in love with this, and it feels so damn good. A neon soaked, completely off the rails fairytale set in new orleans accompanied by an electronic and bumping score that you can just FEEL throughout your entire body. You’d think this could come off as completely absurd, and it kind of is (in the best possible way), but the way Ana Lily Amirpour films this thing is just so goddamn…
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Crimes of the Future 2022
Cannes 2022: film #4
whyyyy would you hold back so much david. everything needs to be 10 times bolder and riskier in my opinion. kristen this doesn’t concern you! you always bring it to the table my dear
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Sick of Myself 2022
Cannes 2022: film #1
What a way to start the festival! i’m kind of shook! this thing knows when to be funny and when to be *very* weird but when it’s both combined it becomes something even more intriguing! i think the style takes over the substance at some point but how could one complain when the style is that good? also between this and Ninjababy, Kristine Kujath Thorp is on her way to become the next big comedic actress! she’s SICKENINGLY good
