First thing I've watched since HBO Max became Max... fuck, that's a stupid rebrand.
Anyways, this was... really boring. And not good. I didn't care about a single thing that was going on. This is a movie where Charles Dance plays an eco-terrorist that wants to unleash a battle between Godzilla and all of the monsters onto the surface world and it still had me nodding off. I honestly can't believe this is the same Michael Dougherty that made Trick…
This one was pretty good, continuing the streak of these "Tommy Jarvis" installments being my favorite of the series so far. Zombie Jason is badass, the paintball sequence is hilarious, and for once there's actually kids at the camp. The Alice Cooper songs alone make it worth the watch.
A bittersweet love letter to Old Hollywood and all things Technicolor, as gorgeously shot as it is sharply written. Like many Coen outings, the story is little more than an excuse to indulge in a specific setting populated by memorable characters, but the world the film inhabits is so fully realized and such a distillation of the era its set in that it's a consistent delight to see what exaggerated Hollywood archetype will fall into the plot next. The entire film could have been two hours of the dinner scene with Hobie and Carlotta and I don't think I would have minded.
First new movie of 2023 and a pretty intriguing one at that. Shyamalan goes back into Signs mode here, showing a cataclysmic event from the limited point of view of a family in the middle of nowhere. However, instead of aliens, the threat this time is something much more intangible.
Everyone has their own individual things that trigger the scare factor in their brains and Knock at the Cabin very much exposes one of mine. The scenes in this that…
