Mike D'Angelo’s review published on Letterboxd:
[tweet from TIFF '18]
Unlike most, it seems, I was drawn in rather than pushed away by the initial belligerence, which Perry expertly calibrates (in part by intermittently getting Becky out of the room or in a soundproof area). Could have ended after “Heaven,” arguably.
[Decent chance I'll watch this again later in the year, in which case I'll expand on the above. First of his films I've liked.]