Mike D'Angelo’s review published on Letterboxd:
Second viewing, down from 69. (Star rating remains the same, though.) I'd thought some of my reservations might fall away if I watched this without fresh memories of its ostensible predecessor rattling around in my brain, but instead it wound up feeling considerably more diffuse. Desplechin makes a point of having Paul mention his double in the final scene, but the last-second effort at synthesis feels ad hoc—were the first and second sections removed, nobody unaware of the fact would sense their absence. (The brief childhood glimpse does have a function, but given how little we actually see of Paul's mother, I'm not convinced that it fulfills said function. Quite enjoy the trip to Minsk, on the other hand, without understanding why it's in this particular film.) A superlative First Big Romance picture to which unrelated reminiscences cling like barnacles.