Brett Arnold’s review published on Letterboxd:
Big missed opportunity not to market this as “from the writer of PARIS, TEXAS and that American remake of BREATHLESS.”
Capitalism is grotesque and this movie fucking revels in that notion. It’s crazy that this movie exists, it’s such a “fuck you” to its intended audience!
Equal parts disturbing and funny and has a general vibe throughout that can only be described as “insanely batshit.”
Bill Moseley is a goddamned icon and it really shows here.
Umpteenth viewing. Will be watching again with commentary for the podcast. Stay tuned!