Glenn Charlie Dunks’s review published on Letterboxd:
I think it's incredible, and even the low-quality of some of the new-old footage gives the nightclub sequences a documentary quality. I don't actually think I'd hate the studio version as much as its reputation suggests (I've seen it, but don't really remember). There's a very specific kind of thrill that comes from hearing disco out of a cinema surround sound system and I felt it. I felt it all. Knock on wood, baby!