part of my personal saoirse ronan retrospective
whoops. i like this movie now more than when it was in theaters.
grateful for no longer being too cool for anderson's later work.
camera movement and editing is as youthful, funny and light-on-its-feet as Truffaut's "shoot the piano player".
large Italian-American family groups showed up together to see this at my screening at the Belasco Theatre on 44th st. in New York. the men wore hats and the women wore animal print.