Sahin Mondal’s review published on Letterboxd:
Panah delivering one of the most charming debuts in recent years. On the road, away from the mundanities of life, beaming with endless conversations in a car and still one never gets bored, and that's where the brilliance of Iranian cinema lies. Immaculately captured, with the phantom of Kiarostami, and his father lingering in every frame of his, embedded with such warmth and simplicity.
and Ah, those piano tunes...