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  • The Lighthouse

    The Lighthouse

    ★★★★★

    Has some of the most affecting visual/auditory horror surrealism I've seen. Hits even harder because of how subtle, small-scale and character driven the story surprisingly is. Love how Eggers displays a paranoid tussle of masculinity and identity just through the clash of two characters, at times completely visually in a way that was also incredibly entertaining and funny on the surface. Pattinson and Dafoe are so transformed and go between caricature puppets to realised human beings in my eyes, and…

  • Jojo Rabbit

    Jojo Rabbit

    ★★★½

    Elements of this ring more hollow than I'd hoped, but I appreciated the genre blending tone it carries out and I thought everyone was pretty fuckin funny

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  • Uncut Gems

    Uncut Gems

    ★★★★½

    Anxiety-inducing ride. Glistening and murky.. makes you feel trapped in this world that appears so alluring and magical at first. The incredible soundscape matches this feeling too. Loved Sandler's presence from beginning to end, had me completely zoned in.

  • Cape Fear

    Cape Fear

    ★★★★

    That booming score from Bernard Herrmann. So good. Cool to see a different tone for Scorsese, it’s him flexing another muscle. The use of colour feels inspired by thrillers from the 50s-60s. De Niro’s performance is unique for him and so a lot of fun to watch. Just a super well made killer-on-the-loose movie