IndieWire’s review published on Letterboxd:
Review by Kate Erbland
As the eponymous antihero at the heart of Ford’s film — his feature debut after first earning accolades at Sundance over a decade ago for the lauded short “Patrol” — Plaza continues to build on her post-“Parks and Recreation” career with serious style. Thanks to turns in projects as varied as “Black Bear,” “Ingrid Goes West,” and “Happiest Season,” Plaza (who also produced Ford’s film, adding to a growing resume) has managed to turn her pitch-black sarcasm into something with real depth and nuance. You always know a Plaza performance will be good, but over the past few years, Plaza has seemed to make it a priority to surprise her audiences with just how good she is.