I don't know how to watch movies with my kids. They are very interested right now in stuff that is "real" and in soldiers, but they can't handle (based on my observation, not my edict) most anything that could be classified as a war film. But this is on my DVD shelf, and I figured they could get behind the idea of soldiers and prisoners and jailbreaks. They tend to identify with police more than with prisoners, so I thought this might help in my slow attempts to complicate their dangerous dualism. I think it worked? I don't know. This parenting thing is hard.
While his preceding triptych were some of the funniest films of the 1990s, it is only in viewing this out-and-out comedy that the generic misapplication of "comedy" to the others becomes clear. The hilarity of finely observed social interactions decorated with finely polished dialogic diamonds previously served larger questions of making one's way in the world while burdened with the knowledge of the historical moment. Damsels is dislodged from time (but not from history; note: "last of the Select Seven…
Second viewing confirms this is among the handful of films I'd consider my all-time favorites. Everything I want in a film is here. (Well, I could use a chase scene with a car explosion, I guess.)
What's the movie about? It's about an hour and forty-five minutes.
An hour and forty-five minutes of dizzying, glorious, beautiful starts and stops, ideas and emotions, reality and fiction, truth and lies, beauty and deceit. AK demands our attention, but doesn't mind if we…
A quick scan of reviews reveals a lot of handwringing about the possibility of a musical in a time without musicals. The focus of these generally seems to be, "in a time where audiences aren't willing to go along with people breaking into song and dance," which is, I strongly suspect, hogwash. My packed Saturday matinee screening (the most even mix of young and old I've seen in my local cineplex), my students frequently mentioning The Wizard of Oz and…