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  • And the Boys Go

    And the Boys Go

    Dear friends of Letterboxd: 

    Hey! Matt here. So for those of you that don't know, I recently completed my first feature film. My team and I are waiting on festival responses now, but in the meantime, I thought it would be cool to share with some fellow LB-ers.

    Here's a link to a short teaser: www.youtube.com/watch?v=SkYxUoTGI4c

    For anyone interested in seeing/critiquing the full thing, please shoot me an email at itsmatthoff@gmail.com, and I'll be sure to send it right away. Would love to know your thoughts.

    Happy watching!

  • The Double Life of Veronique

    The Double Life of Veronique

    ★★★★½

    Visual literature. The consummation of Veronique's moment to moment beauty is purely inexplicable; a fragmented mosaic of long-lasting emotion and cinematic fervor.

    Words for this don't suffice. See it for yourself.

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  • American Honey

    American Honey

    ★★★★½

    Andrea Arnold is a singularity in a cesspool of congruency―her camera, her talent, her subjects, all freely moving against the grain―in a world stamped with only one possible signature: hers. This is necessary independent cinema; a burst of creativity and rebellion so badly needed in an otherwise (mostly) standardized arena.

    American Honey breathes with a richness in character, so nuanced and so untapped, you just can't wait to see what comes next.

  • The Lobster

    The Lobster

    ★★★½

    Purely brilliant for its former half, and a little lackluster for the latter, The Lobster definitely overstays it's quirky welcome; though, that's not to say it isn't one of the best comedies (if you can even call it that) of the year. I'm all for anti-plot films, but after the departure from the hotel, its illogicality grows tiresome, as the age-old question of where is this all going? finally begins to dawn.

    But, even with its length, Lanthimos is making…