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  • The Big Sick

    The Big Sick

    ★★★

    I kept vacillating between dislike and a grudging respect for The Big Sick; it doesn't help that it feels so uneven and lengthy yet curiously compressed. Kazan in particular is given rather short shrift in both runtime (perhaps necessarily, but still) and characterization, though she does do her best to pull it off. But what won me over was the ultimate sidelining of the risky and potentially maudlin sickness plot in favor of a more rewarding exploration of Kumail's relationships,…

  • The Final Cut

    The Final Cut

    ★★½

    It's probably not entirely correct to say that this specific premise and narrative could not be made into an altogether satisfying film. But leaving aside The Final Cut's bland, almost treacly direction (that reflects the films that Alan himself makes), the whole venture seems intensely misguided, a jumble of narrative concerns which don't truly cohere and late revelations which reflect absolutely nothing about the world which they are meant to comment on. Almost certainly the only redeemable facet of this…

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  • Inland Empire

    Inland Empire

    ★★★★★

    So much of this seems to be about a universal sort of decay, that spreads throughout Hollywood, Poland, and Nowheresville, USA. Ghosts, curses, and other such hauntings are in plentiful supply, but they must jocky for space with the utterly fearful, indomitable visage of Laura Dern in many guises. Perhaps less consistently terrifying than I remembered and contains many, many more musical stings, but it remains a vision in totality, unlike anything I've ever seen, and to see reality, the body, and film contorted and distorted in such a way is truly haunting and moving.

  • Prometheus

    Prometheus

    ★★★½

    Far less stupid (on an actual narrative basis) than I was led to believe; there is a wisely executed rather strong foundation in a sense of exploration and mounting dread that comes to a head in the jaw-dropping succession of infections and contaminations that somehow occur simultaneously. But what feels more important than the inexorable narrative drive are the figures and the space in which they move. This is a plainly gorgeous movie, even as it descends into the dark…