Francofonia (2015)

7/10

Let's open every door in the building and let every idea in, but let's not close any door and let's not ever talk again about the doors. What doors? Did they matter? Interesting in long stretches, but I fail to understand what is the reasoning behind all of this. Particularly interesting when he apparently seems to intersect war and museums, their need and seemingly symbiotic existence. The rest of the time, it's mostly a show-off between the things that Sokurov likes and the playful style he has exercised throughout the years.