Jaime Rebanal’s review published on Letterboxd:
When watching the films of Quentin Tarantino, there’s always that energy of wanting to show off his love of cinema on every frame but given the setting of his latest, it could either have been his most self-indulgent effort to date or maybe the love letter he’s been meaning to bring to the screen for a long while too. Once Upon a Time in Hollywood, fittingly titled after Sergio Leone’s Once Upon a Time trilogy, is every bit a blast from the past of the final years of the 1960’s as one could ever expect Quentin Tarantino to make a film about Hollywood in the era to be, but it also might be the director’s most beautifully entertaining film to grace the screen since Inglourious Basterds. If anything else best sums up what makes Once Upon a Time in Hollywood such a delight to watch, you’ll find all of it speaking clearly from the first frame to the last: for it still remains intact with the eagerness on display out of love for the films that have formed everything we’ve loved seeing in Tarantino’s work too. Though I’ve always enjoyed Quentin Tarantino’s work as a whole, I haven’t loved his films as much as I used to as a teen who was getting into movies, but Once Upon a Time in Hollywood reminded me why I’ve always been so captivated by the stories he’s brought to the screen.