Admittedly, it’s way easier to see Possessor as a thematic progeny of Videodrome and Existenz and pore over its aesthetic connective tissue tethering Brandon Cronenberg to his father’s legacy. But if you scratch a bit harder, I think you’ll find a more interesting discussion hidden somewhere in this film, though I lament the fact I had to do this much scratching to get there in the first place.
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