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  • Film catastrophe

    Film catastrophe

    ★★★½

    The extended footage of Godard at work is invaluable, but Film Catastrophe merely reiterates the ideas of Film Socialisme rather than expanding upon them. Feels more like a footnote to Godard's film than a unique, fully formed vision in its own right

  • Us and Them

    Us and Them

    ½

    This movie is to 70s Godard what Tarantino is to 60s Godard

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  • Glass

    Glass

    ★★★★★

    The Village updated for the age of the digital. A scathing critique of the control mechanisms employed by an authoritarian society to force its citizens into a state of complacency, wilful ignorance and acquiesce that renders them unable to even see themselves as prisoners. And, like The Village, it ends on a genuinely powerful note of hope in the form of the emancipatory potential of techno-progressivism

  • Histoire(s) du Temps

    Histoire(s) du Temps

    ★★★★★

    “In a striking manner, film was able to recount its own history in a way quite different from the other arts. And in montage alone, there was a story, or attempts at stories, told in film’s own language. One can put a Goya after an El Greco, and the two images recount something without the need for a caption. One doesn’t see that anywhere else. […] And for cinema, little by little, it could be done, and this principle would…