Not the banger you'd hope from the guy who gave us SYMPTOMS, VAMPYRES, and EDGE OF THE AXE, but for his final outing Jose Larraz lengthens the connective tissue to the thematic interests of his past, which had been absent to an extent during his "hackwork" from the 1980s.
Like EDGE OF THE AXE, it is setup as another rural American slasher for a youngish audience expecting a body count. It takes a regal turn toward the psycho thriller, as…
This seems like the ultimate Something Weird movie: low budget, mostly poorly done, with scenes ranging from the stylish and exciting to the bizarre to bad then dull. It's lo-fi mania, a Southern nightmare like Texas Chainsaw Massacre, just much less terrifying and oddly charming.
What stood out the most was the masked yet nude blonde killer and her knifed kills. Lots of cuts and fast editing of bodies standing as if still in each shot yet wavering in space-time,…
Umberto Lenzi might’ve been the goofiest of all the Italian B-movie mavericks. He dabbled in every genre cycle, reliably replicating the standard forms of narrative and style with some technical competence. Yet, as he went for excess and intensity he simultaneously induced laughter, likely unintentionally. This placed him at a lower quality level than directors like Sergio Martino and Lucio Fulci, but it made him enjoyable nonetheless.
“Eyeball” is no deviation. It’s a familiar type of giallo and by its…