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  • It Comes at Night

    It Comes at Night

    ★★★★

    Some audiences may be unimpressed by It Comes at Night’s focus on atmosphere and tone, but straying away from the importance of narrative is what bodes so well for its unpredictability and surprise. Much like the unimportance of what is occurring on the outside world – no matter how scary it is suggested to be – the journey from A to B is not significant. The significance lies in the feelings and emotions of the characters, as they struggle with their inner turmoil and what plagues them morally and psychologically.

    Full Review: www.screamhorrormag.com/comes-night-film-review/

  • Demon Hunter

    Demon Hunter

    ★★★

    You have to credit the film's emotional core, even if it isn’t wholly effective. Demon Hunter’s imperfections are as obvious as Taryn’s evolution from a natural beauty to a gothic femme fatale, but they are easy to forgive if you are able to be charmed by the film’s emotive drive and well-meaning central messages.

    Full Review: www.screamhorrormag.com/demon-hunter-film-review/

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  • Drive

    Drive

    ★★★★★

    Not many films are perfect. But this..THIS is beyond perfection.

  • Martha Marcy May Marlene

    Martha Marcy May Marlene

    ★★★★

    Sean Durkin makes his directorial debut with the psychological thriller Martha Marcy May Marlene. The film received its theatrical release on 3rd February 2012, but premiered at the 2011 Sundance Film Festival and won Durkin the Dramatic Directing Award.

    Elizabeth Olsen is the star of the film; playing the lead role of Martha/Marcy May. She is a character who has recently escaped the clutches of an evil cult and is attempting to settle herself back in to reality. However, her…