I mean I guess
Dear God this fucking movie.
I used to see this in the video collection in my college library 20 years ago, and finally got around to watching it. I assumed it was going to be about encroaching Americanization, and I suppose, on a metatextual level, it is. The story of a Bushman--already problematic, as it's narrated by some older European male--is quickly taken over by the story of two white people "falling in love". The antagonist and protagonist are both…