“A gift, for my friends, at Thanksgiving.”
Disturbing how well paranoid, particularly narcotic-induced, psychosis pairs with screens and operational cameras but I guess it makes sense too, the perceptual rift between eyes and lenses creates a great horror-like ambiguity. Linklater’s rotoscope on point as usual, more solid and outlined than a Waking Life dreamscape and more computational and washed out than an Apollo 10 1/2 nostalgia-trip, mixing clever camerawork with some awesome morphing effects to create a machine-eye reality still…
