This review may contain spoilers. I can handle the truth.
jmontgomery0182’s review published on Letterboxd:
This review may contain spoilers.
Realism’s Take on Mental Disorder
Oslo, August 31st is a powerful and poignant film by director Joachim Trier. The film tells the story of Anders, a recovering drug addict who is given a day pass from a rehabilitation center to attend a job interview in the city. The film is a character study that explores the inner turmoil and regrets of Anders, as he reflects on his past mistakes and struggles to find a sense of purpose and redemption.
Opening with Anders’ grueling morning and trip to Oslo’s fjord, the audience is introduced to the film’s theme of realism. Trier keeps lengthy sequences of the journey before a jarring clip of Anders’ attempt to drown himself. One of the most memorable scenes in the entire film, Trier places this early into the film as if holding it over the audience's head throughout Anders’ story to illustrate the true pain Anders lives with.
One of the film's greatest strengths is its lead performance by Anders Danielsen Lie. Lie delivers a raw and emotional portrayal of Anders, capturing the character's vulnerability and inner turmoil with incredible nuance. The film also features strong supporting performances, particularly from Malin Crépin as Anders' ex-girlfriend, and Hans Olav Brenner as Anders' mentor.
The film's cinematography is also noteworthy, with Trier and cinematographer Jakob Ihre capturing the beauty and melancholy of Oslo in a way that perfectly reflects Anders' state of mind. The film is shot in a very naturalistic style, with long takes and minimal camera movement. This gives the film a sense of realism and allows the audience to feel as if they are right there with Anders as he goes through his day. The cinematography is also remarkably effective in conveying the emotions of the characters, with close-ups and wide shots used to emphasize the loneliness and isolation that Anders feels.
Furthermore, the soundtrack, featuring a mix of classical and contemporary music, adds to the film's emotional impact. The music is often melancholic and haunting, which helps to emphasize the loneliness and despair that Anders is feeling. The music also helps to create a sense of atmosphere and tension, which helps to keep the audience engaged in the story.
Lastly, the pacing is deliberately slow, allowing the audience to fully immerse themselves in Anders' world and to reflect on his experiences. This slow pace, coupled with the film's non-linear narrative structure, helps to create a sense of unease and discomfort that perfectly reflects Anders' emotional state. There are several times where Anders’ emotions are explored through the focus on other people walking the streets of Oslo. While sitting in a café, Anders takes turns listening to fellow customers’ conversations, displaying his loneliness in everyday life.
In conclusion, Oslo, August 31st is a powerful and deeply affecting film that explores the inner turmoil and regrets of a recovering drug addict. The film's performances, cinematography, soundtrack, and pacing are all noteworthy and contribute to the film's emotional impact. The film is a powerful reflection on the human condition and the struggles we all face to find a sense of purpose and redemption. Audience members who suffer with mental disorders may find relatability to Anders’ endeavors, and those who do not will hopefully find ways to understand better the impact of mental illnesses on those who live with them every day.