João Beleza Freire’s review published on Letterboxd:
The tone is pitch-perfect — the aesthetic, the performances, down to how karmically predictable some of the twists are. Love all the little props, such delicate artefacts, all feeling like they could tell a whole story. I couldn’t stop thinking of Ricky Jay, and now I find myself wishing for a Del Toro film about him. Or maybe just the objects he left behind.