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  • World on a Wire

    World on a Wire

    2018 mood

  • Xchange

    Xchange

    Part of both the Disembodied/Re-Embodied/Possessed/Alt Kyle MacLachlan Universe and the Other Baldwin Auteurism cycle of 1998-2001, so something of a minor miracle, with much more softcore than expected and rainy Montréal alleyways our window into a discount dystopia.

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  • The Thing

    The Thing

    "How will we make it?"

    "Maybe we shouldn't."

    Fire and ice, blue and red, flares and snow. Carpenter fine tunes the formalism of his previous films to something absolute, pure (before branching outwards). The film has no fat, every shot creating atmosphere, building dread, sustaining an unbearable tension between bodies and the spaces they inhabit (as well as other bodies). In daylight, the Antarctic expanse is forbidding, rigid, sharp, but when night falls it becomes an abyss. Figures, rendered silhouettes…

  • Creed

    Creed

    The way Coogler judges how long to hold on faces for a first date, or edit footage of Apollo at Adonis' most (physically) desperate moment, or have Stallone react to a photo of him and his real son; it's all of an intimately felt emotional register, quiet but also triumphant like the preceding franchise. A small (therefore big) miracle of story and people craft in Hollywood's most souless age. Fought back tears throughout.