Beautifully rendered melodrama that never fully connected with me. Apparently one of the most beloved films by the Japanese audience.
One of the most inspiring, singular works of no-budget art ever forged. Zachary Oberzan takes on the impossible task of telling the story of FIRST BLOOD completely on his own, with only what he has on hand in his apartment. He not only succeeds in doing it, but actually transcends the limitations of the production to achieve something both moving and uplifting.