In cinemas, still the greatest.

Shockingly on-the-nose in a manner I find frustrating (Maddin bothers me for similar reasons), but I'm always impressed when an experimental film manages to so astutely deliver jokes with effective punchlines. It says even more that this goes beyond base formal experimentation to play with something of affect, it isn't just editing but a genuine memory game. Or, at the very least, a game in which memory is the subject.

my uncle recommended this to me when i was eight