The eagerly anticipated follow-up to one of Letterboxd’s most popular movies is already outpacing its beloved predecessor in almost every respect. 

In the first of a new series about the people behind the industry scenes and the movies they love, executives from boutique distributor Bleecker Street reveal their film faves.

The director of all the John Wicks tells us about the movies—from The Grandmaster to The Warriors to Amélie—that influenced Chapter 4.

For Valentine’s Day, the Letterboxd crew and filmmakers reminisce about the movie characters that first gave them funny feelings.

The Letterboxd crew reminisces about our favorite first watches of 2022—from Argento to Avatar.

Horrorville editor Brett Petersel invites the Letterboxd crew to revisit their favorite classic and current first-time horror watches of 2022.

As its thirtieth anniversary sneaks up, editor-at-large Dominic Corry celebrates an eerily prophetic early-’90s heist caper that bridges the analog-digital divide.

Writers Tom Stourton and Tom Palmer talk about their excruciatingly hilarious new film All My Friends Hate Me, and the influences—from Ali G to Joanna Hogg—that informed its unique tone.

Traveling from bar mitzvahs and hotel rooms to volcanoes and haunted colleges, the Letterboxd crew highlights the Sundance premieres that made the biggest impact out of the year’s first major festival.

The Letterboxd team selects the fifteen titles we’re most excited to see at this year’s all-virtual Sundance Film Festival.

As the Covid-era festival landscape shifts yet again, our Festiville team picks the best of the films that premiered at the major fall film festivals.

Editor-at-large Dominic Corry highlights the 50 films with the biggest upward trend in critical regard throughout our first decade.