The Innocents filmmaker Eskil Vogt discusses the disturbing magic of childhood, shooting seagulls, eating scabs and making a horror film in the Scandinavian daylight.

Gaspar Noé on Lux Æterna, the film he made before a near-death experience, and Vortex, the film he made after, and how cinema has repeatedly saved his life.

French filmmaker Audrey Diwan on abortion, literature and embodying the body in her Golden Lion-winner, Happening.

Paris, 13th District filmmaker Jacques Audiard on making a black-and-white romance in the City of Lights with Céline Sciamma and Léa Mysius (and Éric Rohmer as his emotional compass).

Oslo Trilogy actor Anders Danielsen Lie, screenwriter Eskil Vogt and film journalist Karsten Meinich take Ella Kemp on a tour of the Norwegian capital as the city wrestles with its sudden status as a cinephile destination.

Director Josephine Decker opens up about teenage influences, Bach, feminine joys and sorrows, and creating entrances for audiences with The Sky Is Everywhere.

Traveling from bar mitzvahs and hotel rooms to volcanoes and haunted colleges, the Letterboxd crew highlights the Sundance premieres that made the biggest impact out of the year’s first major festival.

The Letterboxd team selects the fifteen titles we’re most excited to see at this year’s all-virtual Sundance Film Festival.

The Unforgivable director Nora Fingscheidt on celebrating wild children, remaking Titanic, and the force that is Sandra Bullock.

Silent Night filmmaker Camille Griffin leans into the messy excess of the season as her movie joins The Green Knight and Spencer in the canon of offbeat, ‘WTF’ Christmas movies.

The star of Sean Baker’s Red Rocket talks non-stop about rooting for the bad guy, learning how to listen, and the Letterboxd review that started it all.

As the Covid-era festival landscape shifts yet again, our Festiville team picks the best of the films that premiered at the major fall film festivals.