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Latest Episode

Artwork for Season 3, Episode 16: Four Favorites: Jack Moulton
The Letterboxd Show

Four Favorites with Jack’s Facts: Dog Day, Mike Leigh, La La Land and the midway Top 25

Season 3, Episode 16

Give us a cuddle, Maurice! Letterboxd head of platform content Jack Moulton, the man behind The Letterboxd Show’s “Jack’s Facts”, joins hosts Slim and Gemma for a chat about our favorites of the Top 25 films of 2022 so far and Jack’s four Letterboxd faves: Sidney Lumet’s Dog Day Afternoon; Mike Leigh’s Secrets and Lies; Matthieu Kassovitz’s La Haine and the movie that did not win the 2017 Oscar for Best Picture, Damien Chazelle’s La La Land. Plus: attractive sweaty Al Pacino, how lockdown helped Jack complete several film circles, long film runtimes, what our hostage demands would be (fried chicken all the way), the healing power of a cup of tea, the “Mike Leigh Phase” of every British boy, love across an ocean, queuing for a movie with a small bladder, musicals for people who don’t like musicals, why everyone should see Blinded by the Light, and could “It was fine” be the worst movie-critic burn ever? Here’s to the ones who dream!

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Festival Circuit

Best of Fantasia 2022.

Our highlights from the 26th edition of the continent-spanning, genre-stretching Fantasia International Film Festival.

Letterboxd Crew
Year in Review

2022 Midyear Report.

World cinema and A24 dominate the Letterboxd Top 25 at the 2022 halfway point, as movie lovers make their way back to cinemas and festivals. Jack Moulton and Gemma Gracewood report. 

Letterboxd Crew
Festival Circuit

Best of Tribeca 2022.

From father-daughter mortality dramas and empathetic docs to psychological thrillers and gibberish comedies, here are Letterboxd’s ten best from this year’s Tribeca fest. 

Letterboxd Crew
Festival Circuit

Best of Cannes 2022.

Away from the glitz, glamor and scorching heat of the Croisette, our Cannes team highlights the ten best films from the 75th edition, from Ruben Östlund’s latest to a stunning debut by Charlotte Wells.

Letterboxd Crew
Festival Circuit

Best of SXSW 2022.

From road trips and space exploration to multiverse shenanigans and the contender for Paddington’s wholesome legend crown, our Festiville team highlights the most tantalizing titles from SXSW 2022.

Letterboxd Crew
Festival Circuit

Best of Berlinale 2022.

Our highlights from the 2022 Berlin International Film Festival included new features from heavyweights Claire Denis and Peter Strickland, and striking debuts from Emma Kawawada, Natalia López Gallardo and Colm Bairéad.

Letterboxd Crew
Festival Circuit

Best of Sundance 2022.

Traveling from bar mitzvahs and hotel rooms to volcanoes and haunted colleges, the Letterboxd crew highlights the Sundance premieres that made the biggest impact out of the year’s first major festival.

Letterboxd Crew
Festival Circuit

2022 Sundance Selects.

The Letterboxd team selects the fifteen titles we’re most excited to see at this year’s all-virtual Sundance Film Festival.

Letterboxd Crew
Year in Review

2021.

As Spider-Man: No Way Home swings into the top spot in our tenth annual Year in Review, we examine what your 2021 film watching patterns say about humanity, art and the pandemic-stricken film industry.  

Letterboxd Crew
Community

Turning Ten.

Letterboxd officially turned ten this past October. We asked ten members to tell us what a decade of tracking films has meant to them. (It’s meant the world to us!)

Letterboxd Crew
Cinemascope

Votes for Pedro.

As Parallel Mothers comes to US cinemas, Pedro Almodóvar fans Aaron Ruttenberg and Carlos Crespo chat about the Spanish filmmaker’s canon, queer misbehavior and cinematic debauchery.

Letterboxd Crew
Interview

Q&A—David Lowery.

The Green Knight director answers your questions about fox plushies, the magic sex belt, rewatching with edibles, and Dev Patel.

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Journal is Letterboxd’s online magazine. Our mission is to get more films, big and small, onto your watchlists, spotlight the best writing from our community, and bring you news from our crew behind the scenes. Along the way, we dig deeper into the movies we’re obsessed with, meet the people who make them, and explore the culture that surrounds them. We welcome pitches.

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