Aubrey Plaza on being the Queen of Delaware, having her mind blown by John Waters, the take-no-shit tone of Emily the Criminal—and casting spells for Happiest Season fans.

Filmmaker Ayoka Chenzira on the restoration and reemergence of Alma’s Rainbow, flamingo figurines and the importance of dance and music in her life and art.

The Gray Man directors Anthony and Joe Russo lock and load for a Life in Film chat on ’70s thrillers, iconic showdowns, physical trauma and favorite Ryan Gosling performances.

Juliette Binoche on collaborating with Claire Denis for Both Sides of the Blade, her passion project Between Two Worlds and reflections on Three Colors: Blue.

Both Sides of the Blade filmmaker Claire Denis on putting feelings first, trusting Juliette Binoche and playing hooky for Elizabeth Taylor. 

From father-daughter mortality dramas and empathetic docs to psychological thrillers and gibberish comedies, here are Letterboxd’s ten best from this year’s Tribeca fest. 

Céline Sciamma on processing grief through Petite Maman, feeling seen by Turning Red and David Lynch, and the line that wasn’t supposed to be in Portrait of a Lady on Fire.

The Worst Person in the World writer-director Joachim Trier discusses having a brighter outlook on life, the thing about Éric Rohmer, and making a humanist film about “the biggest things there are”: love and death.

Traveling from bar mitzvahs and hotel rooms to volcanoes and haunted colleges, the Letterboxd crew highlights the Sundance premieres that made the biggest impact out of the year’s first major festival.

The Letterboxd team selects the fifteen titles we’re most excited to see at this year’s all-virtual Sundance Film Festival.

Filmmaker Asghar Farhadi on traversing murky moral territory in A Hero, writing characters one crisis at a time, and creating classical stories for modern audiences. 

As his Tilda Swinton-starring film Memoria begins its infinite, one-cinema-at-a-time U.S. tour,  Apichatpong Weerasethakul wants us to stop obsessing about ourselves.