As Jordan Peele’s new blockbuster Nope opens in cinemas, playwright Adesola Thomas has conversations with comedian, writer and Letterboxd personality Demi Adejuyigbe about Black joy in movie theaters, dinosaurs in the hood, and humane comedy.  

The Letterboxd counter has ticked over to a billion films watched. That’s right, folks: as a movie-loving community, we have collectively recorded one billion films watched since Letterboxd became a reality.

We speak to the Letterboxd member who watched Taika Waititi’s Hunt for the Wilderpeople every day for a year to ask: what were they thinking?

Animation correspondent Alicia Haddick explores our newest official list—the 50 highest-rated animated feature films directed by women—where she finds a truly independent film at the top, legends in the mix, and Turning Red turning the tide.

List maestro Darren Carver-Balsiger on arthouse cinema, enduring The Room, obscure essential horror films from around the world and tips for how to conduct a Letterboxd community poll.

As we launch the first of our monthly dates-in-film lists, creator Laura E. Hall explains her nerdy passion for calendaring.

Letterboxd officially turned ten this past October. We asked ten members to tell us what a decade of tracking films has meant to them. (It’s meant the world to us!)

Editor-at-large Dominic Corry highlights the 50 films with the biggest upward trend in critical regard throughout our first decade.

Popular member Sally Jane Black (18,000 followers and climbing) opens up about trans representation in cinema, watching films as a Marxist-Leninist and enjoying bad rom‑coms.

Film sociologist Erika Amaral on the blossoming of Brazil’s women filmmakers, the joys of queuing for the movies, the on-fire Brazilian Letterboxd community, and the sentimental attachment of her entire nation to A Dog’s Will.

East Asian literature/film academic and Ann Hui fan Jessica Siu‑yin Yeung explores our newest official list—the 100 highest-rated narrative feature films directed by Asian women—where she finds quiet icons biding their time as the movie lovers of the world catch up.

Self-described cinedork and Mayhem filmmaker Joe Lynch tells Horrorville’s Brett Petersel about cinematic sausage, getting to direct Creepshow episodes and being a three-star starter on Letterboxd.