Josh Rubenoff’s review published on Letterboxd:
Seems like it mainly wants to derive its shock value from the idea that white supremacy is alive and well in America today, which seems like old news even in late 2015. Some of the imagery is legitimately upsetting: like the map of the community Cobb wishes to create, and the raw cellphone footage of them casually patrolling the road with guns. But most of its subjects' arguments lack sorely needed context.